Duration of study: 10 semesters
Graduation: diploma
Study prerequisite: general higher education entrance qualification or proof of special above-average artistic talent and proof of passed aptitude test.
Application: Dates and deadlines, Application formalities
Profile
In the Stage and Costume Design program, students develop independent artistic approaches within various forms of contemporary theater.
The program is a time for artistic experimentation and research.
It offers the freedom to continually reexamine one’s own theatrical work and to apply the insights gained in practice.
The focus of the diploma program is on the conceptual development of the visual and thematic aspects of theatrical forms and their practical implementation. All components of the program are designed to empower students to explore new formats and practices. An open-minded approach to social issues plays a crucial role in this process. The aim is to develop substantive and aesthetic perspectives and to harness the transformative potential of theater as a collective art form.
Our graduates work continuously in national and international contexts in drama, dance, opera, performance, and artistic research.
To foster networking and enhance career prospects, the program collaborates with directing students at the theater academies in Munich and Ludwigsburg, the Folkwang University of the Arts, the Hamburg University of Music and Theater (HfMT), the Class for Performing Arts at the Leipzig Academy of Fine Arts (HGB), the Dresden University of Music, and the Master’s program in Choreography at the Palucca University of Dance Dresden and the Computer Science program at TU Dresden.
We collaborate with various institutions in the city, such as the Staatsschauspiel, the European Center for the Arts Hellerau, the Semperoper, the Kunsthaus Dresden, the Saxon Art Collections, the German Hygiene Museum, and the Kustodie at TU Dresden.
In 2025, a junior research group funded by the European Social Fund (ESF) began its work, offering our graduates not only an expanded range of courses but also career prospects in research.
The presence of various theater-related degree programs at the HfBK Dresden is of particular value. The program is complemented by a comprehensive theoretical curriculum in theater studies, art history, philosophy, and architecture. Collaboration with degree programs in the visual arts takes place regularly (development of joint projects, field trips, etc.). In addition to numerous national activities, the program has an international focus: invitations to international guests, collaborations with universities such as the HEAR / Haute École des Arts du Rhin Mulhouse-Strasbourg, Jan Evangelista Purkyně University in Ústí nad Labem, DAMU in Prague, ZHdK Zurich, the Academy of Fine Arts Vienna and Warsaw.
There is a vibrant Erasmus exchange program, and we mentor international master’s students.
One of the strengths of this program is that, starting in the second year of study, students can choose their topic and professors each semester. Thanks to the broad artistic practice of the teaching artists, the program offers a unique multi-perspective approach and a direct connection to the contemporary theater scene.
The program in Dresden is characterized by its close connection to theater practice. It offers the opportunity to explore the process of conception and realization through interdisciplinary projects. In doing so, it encourages a rotation of authorship. In addition to the diverse range of courses, students have access to studios, workshops, a library, a laboratory theater, and the student-run Café OHA. An integral part of the program is the translation of themes and texts into spatial and character concepts for the stage. The tools used for this include model-making, sketches, technical drawings, photographs, videos, simulations, and performative exercises.
The Art Academy of Social Cohesion
ESF-Nachwuchsforschungsgruppe
“ZUSAMMEN HALTEN” is a three-year research initiative that began with the founding of the Art Academy of Social Cohesion. Through this initiative, we use artistic research and teaching to implement solidarity-based approaches to learning and working in the arts.
Undergraduate:
In the two-semester basic course, insights into the diversity of the theater landscape and the necessary skills are conveyed. The students come into contact with different teachers and take part in individual events, lectures, workshops and excursions. Discursive formats enable intensive reflection on the job profile, while practical workshops are used to encourage people to start working individually.
Seminars and lectures in technical and theoretical subjects complement the basic studies.
Main Study:
From the 3rd semester onwards, students learn the way to independent design work in the field of stage and costume design. For this purpose, changing topics are offered and supported by the teaching professors every semester, these include design projects over the course of the entire semester or several short projects. The individual steps correspond to a practice-oriented approach. The artistic activities in this part of the course are flanked by theoretical courses:
Theater studies, production dramaturgy, philosophy and art history, architecture and costume theory. The teaching program is supplemented by presentations and guest lectures by invited scientists and artists. The technically excellently equipped university laboratory theater offers not only the opportunity to work together but also the opportunity to carry out your own projects. The presentation and discussion of the work created takes place in the regularly held open studios and is part of the curriculum. The main course is open to qualified career changers from other universities and related fields of study.
Diploma:
The course concludes in the fifth year after the two-semester diploma phase with two practical projects in which design concepts for a fictional or practical staging of works of music, spoken or dance theater or media-related projects are developed. In addition, there is a written diploma thesis on a theater-scientific topic, which either arises from an intensive analytical study of the practical work or is freely chosen. The diploma is presented to the public.
Master's Degree:
After successful completion with a diploma, a 4-semester master student course is possible. Applicants who are suitably qualified are encouraged to apply.
Study Information
The study and examination regulations for the degree program as well as general alphabetical regulations relating to the degree can be found here:
Studien- und Prüfungsordnungen
The course catalogue can be found online in the university portal hio
Information on the usage of the university portal can be found here
Important Contacts
- Study commission: studienkommission _bueko @ hfbk-dresden.de
- Dean of Studies: studiendekanat_ bueko @ hfbk-dresden .de
- Examination Board: pruefungskommission_ bueko @ hfbk-dresden .de
2025
Theresa Dorn - Instagram @theresa_dorn
Lili Marleen Grzimek - Instagram @lilimarleengrz
Celina Maria Harder - Instagram @celina_harder
Maria von Knobeldorf / Stacey - Instagram @staceystaceydrag
Konrad Leinhos
Nele Schiller
2024
Tom Schellmann | tomschellmann.de
Karolin Wallowy | Instagram @karowallowy
Greta Wilhelm | gretawilhelm.de
Vici Dewinski | vicidewinski.com
Antonia Krull | Instagram @toni_akrull@fragmented.digital
Justus Splitt | Instagram @justus.splitt
Jorinde Sturm | Instagram @jlailz
Pauline Malack | paulinemalack.com | Instagram @cry__sis
Hans Werner | Instagram @hans_ji75
2023
Sichi Li | Instagram @sichi_li4
Diana Berndt | diana-berndt.de
Julia Scholz | julascholz.work | Instagram @jule_s3001
Claudine Beatrice Felicitas Walter | Instagram @claudine_bf_walter
2022
Dina Zaitev | www.dinazaitev.com | Instagram @dinazaitev
2021
Hannah Enste | hannah-enste.de
Amelie Sabbagh | ameliesabbagh.com | Instagram @amelie_sabbagh
2020
Katharina Quandt | katharinaquandt.de
Romy Rexheuser | romyrexheuser.com
2019
Philipp Eckle | philippeckle.com
2018
Olivia Rosendorfer | olivia-rosendorfer.de
2017
Mara Scheibinger | marascheibinger.de
2016
Soojin Oh | soojinohscenicdesign.com | Instagram @soojinohscenicdesign
2014
Maira Bieler | mairabieler.de
Professorships of the fields of study
Prof. Ehnes, Barbara
Stage Setting and Costume Design
Phone: | |
Email: | |
Website: |
MacQueen, Agathe
Stage Setting and Costume Design
Phone: | |
Email: |
Prof. Michel, Kattrin
Stage Setting and Costume Design
Phone: | |
Email: |
Jun.-Prof. Nilsson, Theda
Stage Setting and Costume Design
Phone: | |
Email: |
Rinnert, Philine
Stage Setting and Costume Design
Phone: | |
Email: |
Wilk, Susanne
Stage Setting and Costume Design
Phone: | |
Email: |
Bigl, Gisa
Coordinator for theater-related courses (stage and costume design | theater design)
Güntzstr. 34 |
Room Nr. 331 |
